foxbap:

Shoutout to how The Owl House took the entire h*rry p*tter esque trope of “Person goes to magic school, magic school assigns them to an arbitrary group based off of their marketable traits personality” and said hey this fucking sucks actually

meatballlady:

give-soup-please:

we need to talk about the fact that for many of the posters in season one, they are literally on opposite sides and/or have a dividing line between them

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and now they’re literally crossed over in some way for the season 2 posters

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THEY’RE LITERALLY ON THEIR OWN SIDE NOW, PEOPLE!

CAN WE TALK ABOUT THIS?

At one point, NG said something like, “yeah s2 is basically just A/C hanging out and being chill” and the posters are so consistent with that.


S1 posters: “woah dudes, what funky apocalypse drama are our protagonists getting into now??”


S2 posters: “Yep, that’s Aziraphale and Crowley. They chillin.”

kate-komics:

“Grogu, I’m going to need you to be brave for me, okay?”

Fucking don’t touch me

littlepurplefangirl:

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Camila and Darius are co parenting Hunter and he is living his best life with his family thank you for coming to my tedtalk

rosewine-5:

“Then I will adopt him as my own!”

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xxhopelessaromanticxx:

STOP SAYING GOOD OMENS IS QUEERBAITING!

Good Omens is not queerbaiting. Yes, it is a love story. No, it doesn’t have to be romantic/sexual to be a love story. Romantic love is not the only kind of love there is, nor is it better or stronger or more important than other kinds of love.

Good Omens is a love story between an angel and a demon. It’s a story of an unlikely, unconventional kind of a relationship, that doesn’t have to be be described in human terms. It is especially relatable to many aro/ace folks (but not only!) and made lots of us feel seen.

Being a homosexual man is NOT the only way to be queer, nor is it better or “more queer” than other queer identities.

Good Omens is very much a queer love story, just not the type of queer love stories that usually get told.

If you ship Crowley X Aziraphale romantically or sexually, there’s nothing wrong with that! It’s great! But don’t use it as an excuse to erase other kinds of queerness or queer people’s experiences. Don’t accuse Neil or Terry or anyone else of queerbaiting or homophobia or not being brave enough.

sightkeeper:
“ A March request for a patron who wanted Crowley planting spring seeds!
”

sightkeeper:

A March request for a patron who wanted Crowley planting spring seeds!

kasuminoneko:

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YEAH JULY OMG YES GOOD OMENS 2

toasty-cowboy:

Good Omens Community, today is a day. Maybe not THE day, but a day. A day in which I have a feeling. A little tickle up my spine.

fuckyeahgoodomens:

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The Season 2 Poster Details

From top to bottom :)

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This is a Buddy Holly song Everyday which was originally supposed to be the Good Omens theme :)

Neil talks about it in the Introduction to the Script Book: “In the scripts, Buddy Holly’s song ‘Every Day’ runs through the whole like a thread. It was something that Terry had suggested in 1991, and it was there in the edit. Our composer, David Arnold, created several different versions of ‘Every Day’ to run over the end credits. And then he sent us his Good Omens theme, and it was the Good Omens theme. Then Peter Anderson made the most remarkable animated opening credits to the Good Omens theme, and we realised that ‘Every Day’ didn’t really make any sense any longer, and, reluctantly, let it go. It’s here, though. You can hum it.

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Book The Crow Road by Iain Banks. The novel describes Prentice McHoan’s preoccupation with death, sex, his relationship with his father, unrequited love, sibling rivalry, a missing uncle, cars, alcohol and other intoxicants, and God, against the background of the Scottish landscape

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Book Lord Jim by Joseph Conrad. An early and primary event in the story is the abandonment of a passenger ship in distress by its crew, including a young British seaman named Jim. He is publicly censured for this action and the novel follows his later attempts at coming to terms with himself and his past and seeking redemption and acceptance.

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There is book The Body Snatcher by Robert Louis Stevenson. Its characters were based on criminals in the employ of real-life surgeon Robert Knox (1791–1862) around the time of the notorious Burke and Hare murders (1828). Neil said: Oddly enough, episode 3 will take us to a little stint of body snatching in the era.

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There is Catch-22 book by Joseph Heller that coined the term Catch-22: situation from which an individual cannot escape because of contradictory rules or limitations.

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Is there only one hand or are there two? :) EIther 6 ;), or 6:30 :).

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Through the window we can see the coffeeshop Give Me Coffe or Give Me Death where Nina works! :)

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Azi is wearing his nifty glasses :).

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Crowley is wearing his new glasses, they are RIGARDS X UMA WANG - THE STONE ECLIPSE (VINTAGE BLACK/BLACK STONES) - $435

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There seems to be a broken phone :).

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Azi is reading A Tale of Two Cities by Charles Dickens published in 1859, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris, and his release to live in London with his daughter Lucie whom he had never met. The story is set against the conditions that led up to the French Revolution and the Reign of Terror. 

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Another book there is Pride and Prejudice by Jane Austen - Neil said said that we will learn a lot about Jane Austin we didn’t know before.

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And finally the Treasure Island book by - again :) - Robert Louis Stevenson, an adventure novel with pirates.

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There are three lizard-y cuties. Who are they? Pets? Is Ligur haunting the bookshop? Who knows :).

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A mysterious pamphlet, ‘The Resurrectionists’ leaflet. (unofficial spoiler :)).

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Also there is an old camera… mmm 🤔 Did Azi made some photos (of what? Him and Crowley, ducks? :)) Will we see them? :)

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Their positions is an homage to the book covers! :)(x)


Will update this as fandom discovers new things! :)❤